When you are trying to draw a natural landscape, you often find that you cannot think of a good composition. The cloud brush is used as is, so no changes! (The changes are opacity and blending ease.) (Change the size as you wish as you paint.) I want to paint the sky lightly and the grass clearly, so I made the following changes. Use the watercolor brush for the sky and for the grass! The areas to be changed are the size and the area inside the red square (drawing interval and blending ease). Select the brush you want to add and click “Save” in the upper right corner to complete the process.įirst we need to set up the flat brush for the mountains and trees! To add a brush, open the brushes and click the + button in the upper left corner. We’ll be using four types of brushes: watercolor, pencil (rough), flat brush (wet), and moko moko watercolor 3. If you’re not entirely sure about a plane, just guess, don’t overthink it.First, let’s set up the brushes we will use. You can change and simplify wherever you like. Remember that this doesn't need to be absolutely faithful to the original. You can use some rough shading as well, if you like. Then refine the shapes by adding the major planes. Start off by drawing the outlines of some rocks around you, just as you did in step 2. Now that you have learned to see planes in the rock formations around you it's time to put it into practice. You can also add some shading to indicate which planes are directed towards the sun and which might be in the shade. Don’t be afraid to simplify and straighten the lines. Once you see the planes, take a prominent pen and mark them on the picture. Looking for the differences in shadow strength will help you with that, as they’ll receive different amounts of sunlight due to their angle. They're not always straight or smooth, so it can take a while for you to start seeing them. I find it easiest to start off with some rough shapes using very light lines and then refine them one by one. See if you can stack them or create some overlapping (more on that below). You can however play around a bit with the composition, especially if you're drawing smaller rocks you can move around. Don't bother with any shading or detail, just the basic silhouettes will do. It's a lot easier to get to know the texture this way.Īre they rough, smooth, light or dark? Clean or dirty, close-by or far in the distance?įor this exercise all you need to do is choose a few rocks, outside or from a collection at home, and draw their outline. What kind of colour or size ranges can you see? Don't be afraid to pick some up or get really close (as long as it's safe) and touch them. Depending on where you live you might see anything from huge mountains to beach boulders or simple footpath gravel. The easiest way to ease yourself into this admittedly somewhat tricky drawing topic is to go on a little walk outside and take notice of the different kinds of rocks you'll find in your area.ĭon't take your sketchbook this time, it's just about observing. Yet they all reveal a lot of experience and look simply terrific. Note how very different their approaches and the level of detail and texture are. The second drawing on the other hand is very realistic and would have taken quite a while. The first sketch is very rough, but as you see, even though there is no shading or detail you can easily see the mountain range. There are many approaches to drawing rocks and mountains, from abstract to photorealistic, and everything in between.īelow you can see two extremes. They can be a lot of fun once you relax into it and stop aiming for perfection. Try to enjoy drawing rocks with all their special textures, rather than being intimidated by it. Once you learn to see these it’ll be a lot easier for you to draw them convincingly. One of the most important things for you to realise is that as complicated as some rocks may look, they all consist of very simple, underlying geometric shapes. But you should develop an eye for different types of rock and their defining characteristics. As an artist you don't need to know the name, formation process or chemical composition of what you're drawing.
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